Critical practice that builds upon the mapping of the creative moment of thinking differently implies an awareness of the mechanisms of methodology and the interaction of different planes of practice. What different kinds of engagement and encounters can thus arise from the possibilities and limitations of multi-directional models of curating/presenting the art works that situate themselves at the edge of spaces of production? The hereby emerging new "models of production" call for an expanded notion of what creative practice is or could be. Certainly, this is to realise that one of the potentialities of art -- understood as an activity of creatively interacting with the world -- lies in exploring the complexities surrounding the "production of subject." Furthermore, as critical practice today faces the fundamentally political question of "where are the dissenting/creative subjects of today? And
how are they being produced?" O'Sullivan
Open Space - Zentrum Kunstprojekte aims to create the most vital
facilities for art concerned with contributing a model strategy for
cross-border and inter-regional projects on the basis of improving new
approach.
facilities for art concerned with contributing a model strategy for
cross-border and inter-regional projects on the basis of improving new
approach.
Other links
Where is your resistance? i.e. your resistant operating system inside the art world?
At what point?
What is your position.. drawn from your own practice?
How do you position yourself as ‘… '?
How do you work with/against capitalist structures?
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